My first solo exhibition in Italy will open next week at Savignano sul Rubicone. It will be in conjunction with SI Fest Off, a festival of photography in its 26th edition, and is related to this year’s theme of the festival: Dialectic Strategies.
Hidden ID is a series of pinhole images that juxtapose public identity to interior privacy through using the metaphor of the archive as a substitution for the construction of the self. The images are based on a hybrid pinhole capture with in-camera photogram elements. Continue reading →
A mention of an Edelweiss camera today would make people think of the newly released Diana+ Edelweiss. Ironically, an edelweiss is a small, white, sturdy, very rare alpine flower (see left). And the new Diana+ edition is just a reproduction of the original Diana+ ; the only difference is the look and the only connection to its name is the color.
But actually, the original Edelweiss camera was a Bulgarian medium format camera, Continue reading →
While roaming the Tuscan countryside this summer, we happened upon the gallery of a French photographer living in Italy, Dominique Bollanger. While we admired his silver and large platinum prints and joked the old jokes about my Holga whimsicality compared to his high precision contact prints, he whipped out a wooden 8″x10″ box and told us, “This is my Holga”. We didn’t believe him, of course. We thought it was just another Holga joke.
Turned out, it really was his “Holga”, the same camera he used to capture the iconic Italian landscapes and then make beautiful contact prints straight out of it, with no intermediate enlargements. And if you imagine the pain of carrying around a heavy wooden box up and down the idyllic hills, you get my initial reaction. A 4″x5″ large format is inconvenient enough – now 8″x10″ would be a torture. Right? Continue reading →