Now that the semester is over, I have to say it was really fun to teach both photography and Italian this year. Although formally the classes didn’t have anything in common, it was striking how much they were connected intellectually and as an experience.
For their final project, my students of Italian received the option to discuss a few classic photographs of Italy. As I was working on the assignment to decide what to include in it, so that they would learn both about Italian culture and art, I realized what a huge part of Italian photography is actually photos of Italy, in Italy, by non-Italians.
See this, for example:
Ruth Orkin. An American Girl in Italy, 1951
You already know this photo – it is the legendary portrait titled “Afghan Girl” that appeared on the cover of National Geographic in 1985 and then went on to become one of the most iconic pictures of all times. No wonder: the resolute gaze of the girl, in such dire circumstances, the unusual color of her eyes are indeed striking. What is also impactful but less consciously recognizable is the color contrast of the saturated green and red that appeal subconsciously. And if you are a photography enthusiast, you also know the name of the photographer, Steve McCurry, popularly famous for shooting the last roll of Kodachrome ever produced, too. He was given that honor by Kodak because that film, noted for its exceptional saturated colors, was his signature film. And you perhaps know that his signature style was striking human figures (most often shot in third-world countries) in traditional environments in saturated colors. Continue reading
Beach cyanotype. Hung home style
Rascuache (or, in its Americanized version, rasquachismo) is a Mexican term for reuse and repurpose of things. It is a strategy for everyday life typical for the poor masses as well as a mark of resourcefulness for people in general everywhere. But in the last decades rascuache is also an artistic term meaning the use of humble materials and unexpected sources of supplies – like plastic for drawing, discarded metal parts for sculpture and others. That may sound like the usual found-object crafts that we often see in gift shops and at artfests today but actually originate from the revolutionary practices of Chicano movement artists in the 60s. They used it not because it was cool but to make a political point and insert themselves in a process that was seen as the privilege of higher classes. Continue reading
Last weekend I had a chance to sit with a reviewer at the FotoFest portfolio review for a day. It was an opportunity made available through my MFA program. Here’s what I noticed, sitting on the other side of the table: Continue reading
Michel Tournier with his camera, 1977. Getty Images.
In the recent series of deaths of legendary figures, yesterday was the turn of Michel Tournier, one of the most interesting French writers and also a very influential, passionate lover of photography. To get an idea of how influential: he is the co-founder of Les Rencontres d’Arles, the famed photo festival in France.
Although he has published books with photographers’ bios and discussions of selected photographs, his most interesting writings are actually the novels and short stories in which photography is a subtle theme, a subject, plot driver and protagonist. I am fascinated with the ways the two arts intertwine.
Take his short story “Veronica’s Shrouds” Continue reading
After several years of hard work, I am preparing my project The Skin of Memory for a solo show at the Fort Worth Community Art Center coming up in early January. It was an honor to be selected by the exhibition committee and debut a body of work that has taken so much to research, experiment and think about.
Hope you can come!