When the news of the latest Vogue Italia issue came out, everybody shared it on social media or, at the minimum, read about it. It made that momentous splash due to the promise that no photography was employed in its making – and that was an added feature to make its production environmentally sustainable.
It is frankly the first time anyone has made the case of photography being an environmentally unfriendly medium. After all, it doesn’t employ harmful chemicals anymore, nor does it necessarily waste paper. If it does, that applies to art photography, not the commercial means of diffusion of information and persuasion. However, as director Emanuele Farneti explains in his editorial statement, a Vogue photoshoot implies hundreds of people traveling thousands of miles to make it happen. Painting, drawing and other tabletop artmaking only requires staying put. Continue reading “That photoless Vogue issue”→
Last December, I was invited to be the visiting artist at the Center for Creative Connections at the Dallas Museum of Art in the summer of 2018. This great honor involved developing a series of programs, based on my artistic process and concept, to connect visitors of the museum to the works in the collection and a larger idea. Continue reading “Neighborhoods of the Heart”→
Do you have a favored way to learn making new things? Like trial and error? If you overcome the fear of wasting a lot of materials as you learn, that’s one of the best ways. If. Yet, if you decide to use cheap materials, just to obviate that fear, you may not get good results and so be discouraged and abandon the whole project. But still. As I always like to say, I learned photography because of digital formats so I didn’t have to worry about wasted pixels.