An accidental image I recently discovered on my cell phone.
When does the moment come, for you, in which you lose the sense of being a beginner as you transition to the feeling of having mastered something? Are you aware of its coming, when it actually comes?
Most importantly, though, do you still recall what it feels like to be a beginner? I don’t mean remembering what exactly you did, but the embodied perception of not being sure how to move your hands and body in what you were doing, along with the exhilaration when things actually work?
I recently, almost by chance, joined an online group populated mostly by beginners in photography. Continue reading
It has been an atrocious year for the arts. For artists, it has been the worst not just because of logistic inconveniences and failed opportunities, but also – or frankly, especially – because of the sudden loss of hope. Questions and questioning has been brutal. Some of us have asked ourselves if things will ever go back to normal. Others, if the institutions our art world was built on will survive. And the worst question: “what is the meaning and the significance of what I do? Does it matter at all?” So now that the light at the end of the tunnel is almost visible, here is something to use our remaining time on before the grand reopen and help find that meaning to start again. Here are 5 books that can be guides in finding one’s way across the rocks.
Art & Fear by David Bayles and Ted Orland came out years ago, but it is still one of the most recommended books for artists. It is not about professional development, how to put oneself out there or working with a gallery, but the most underestimated obstacle there is: the fears and anxieties within the loneliness of the studio. Continue reading
One of seven Vogue Italia cover options, a painting by Vanessa Beecroft, January 2020. Vanessa Beecroft uses painting as well as performance as her chosen medium to change our perception of the body in public spaces. This is her first artistico format into fashion, in her words.
When the news of the latest Vogue Italia issue came out, everybody shared it on social media or, at the minimum, read about it. It made that momentous splash due to the promise that no photography was employed in its making – and that was an added feature to make its production environmentally sustainable.
It is frankly the first time anyone has made the case of photography being an environmentally unfriendly medium. After all, it doesn’t employ harmful chemicals anymore, nor does it necessarily waste paper. If it does, that applies to art photography, not the commercial means of diffusion of information and persuasion. However, as director Emanuele Farneti explains in his editorial statement, a Vogue photoshoot implies hundreds of people traveling thousands of miles to make it happen. Painting, drawing and other tabletop artmaking only requires staying put. Continue reading
Neighborhoods of the Heart, at Sunset Art Studios
Last December, I was invited to be the visiting artist at the Center for Creative Connections at the Dallas Museum of Art in the summer of 2018. This great honor involved developing a series of programs, based on my artistic process and concept, to connect visitors of the museum to the works in the collection and a larger idea. Continue reading
Do you have a favored way to learn making new things? Like trial and error? If you overcome the fear of wasting a lot of materials as you learn, that’s one of the best ways. If. Yet, if you decide to use cheap materials, just to obviate that fear, you may not get good results and so be discouraged and abandon the whole project. But still. As I always like to say, I learned photography because of digital formats so I didn’t have to worry about wasted pixels.
Here is something new that I taught myself over a period of three years maybe. Continue reading