If you follow this blog, you know how important FotoFest Biennial has been for me, for its role in the world of contemporary photography. Its international, groundbreaking exhibition give deep thought to topics, angles and geographic areas that are not well know outside of their boundaries; a rich community and meeting place for photography curators, museum professionals and gallerists with photographers and connoisseurs. For me personally FotoFest has been crucial in my work as a photographer with its inspiration to a larger international community. Continue reading “The Museum of Innocence at FotoFest 2020”→
An exhibition that has been in the works for several months is opening on March 1 at the Fort Worth Community Art Center in Fort Worth, TX. The Haunted Archive is an exhibition of post-photography, curated by me and featuring photographs, paintings, collages and installations by eight artists, based throughout the United States.
When American troops disembarked in Sicily (1943), some soldiers stationed in Palermo had their portrait done by local painter Benedetto Zangara. They also brought their military-ration powdered milk and hard biscuits for his baby son. Then the war ended and the baby grew with the stories that he owed his life to those biscuits and those soldiers. He also grew up to be an artist and today is one of the pillars of the international MADI movement. Continue reading “Two Italian Masters”→
My first solo exhibition in Italy will open next week at Savignano sul Rubicone. It will be in conjunction with SI Fest Off, a festival of photography in its 26th edition, and is related to this year’s theme of the festival: Dialectic Strategies.
Hidden ID is a series of pinhole images that juxtapose public identity to interior privacy through using the metaphor of the archive as a substitution for the construction of the self. The images are based on a hybrid pinhole capture with in-camera photogram elements. Continue reading “Hidden ID at Savignano sul Rubicone, Italy”→
If you are in Texas, you are invited to my solo exhibition Tablecloths at Langdon Center (Tarleton University), in Granbury, TX.
Reception: October 29, 5-8pm
Visit: Oct 31 ottobre – Dec 14, 2016
Langdon Center, 308 E Pearl St. Granbury, TX
Hours: 10am-4pm, Mon-Sat
The exhibition includes a series of large format cyanotype photograms on silk and cotton that simultaneously presents and questions the idea of home, using the centerpiece of the tablecloth as a conceptual device. Using 3-dimensional surfaces in tables, corners, steps and thresholds, the photo-sensitive fabric captures shadows and direct contact and then fixes the ephemeral sensation of feeling at home through the photographic process. Still, thanks to the optical distortions (and the added stains) home looks like a perceptual illusion. Continue reading “Tablecloths, a solo exhibition at Langdon Center, Tarleton University”→
After several years of hard work, I am preparing my project The Skin of Memory for a solo show at the Fort Worth Community Art Center coming up in early January. It was an honor to be selected by the exhibition committee and debut a body of work that has taken so much to research, experiment and think about.
Last night, UTArlington and Arlington Camera hosted a discussion of the noted documentary photographer (and Magnum member) Alec Soth with the curator who gave him the first big push of public recognition, Anne Tucker of the Museum of Fine Art, Houston. These public conversations are always useful. It’s true that most probably the information they reveal can be easily found elsewhere. But there are always revelations that happen only in a face-to-face setting.
That’s the reason I used this particular image as an illustration for my post: Alec in the shadow and, on the screen, a note scribbled with the personal dreams of the people he has photographed. It is an approach he uses to get closer to his subjects and allow them to show something of themselves and make it visible in the portrait.