Looking at found photos
Vernacular photography – often defined as “authorless”, but in reality, made by the same people who use it, for themselves or family/friends, or, alternatively, commercial but made directly for consumers (e.g. the Sears portrait service) – has been gaining a lot of attention in the past few years or decades. If you are a photographer yourself, you know the writings of Geoffrey Batchen, who was the engine of the research of that type of photography with his books, especially Each Wild Idea. Continue reading
Toy camera fans, did you hear the news? The Holga is back.
One of the first posts on this blog, seven years ago, was about a roll of Kodachrome. As Kodak was discontinuing the production of its legendary film, the last lab capable of developing its unique process was ending its work, too. So I caught the chance and shot one roll of Kodachrome myself.
That last roll was actually also my first. While for most everyone else the pull of the film was nostalgia, for me it was something I could only define as second-hand nostalgia. I didn’t have access to Kodachrome while growing up, of course, but experienced its allure as part of the allure of the American dream – yet when I was able to access it, the dream had changed. Continue reading
It was a privilege to walk Christo’s Floating Piers on the first day of the project. They are the ultimate sensorial experience: all about touch, vision, and whole body mobilization: it felt so light yet the day after everything feels sore. Continue reading
Posted in exhibition, inspiration, reflections, review
Tagged Christo, Floating Piers, Iseo Lake, Lago d'Iseo, land art, Ponti Galleggianti, public art, walking
I had the distinct pleasure of teaching a group of awesome students this semester: sensitive, hard working and very much personally invested in photography. They made some great work and also allowed me to post some of their images.
If these images look familiar to you, you are not mistaken: this was their emulation assignment, in which they had to research an iconic photographer, analyze his or her style and produce images inspired by it. So that’s why you may recognize something you’ve seen. Continue reading
If you are waiting to hear how the review went, it hasn’t come yet. It kept getting postponed, which is great for my worrywart soul but also prolongs the anxiety. Anyway, the project that has taken the most of my time is The Archive. As the best form of presentation, I decided to make an actual antique binder, covered with dark green cloth with metal corners and the photographs would be filed inside, stitched with thread.
If you have been following my blog you know that the Archive of Abandoned Dreams is based on the poetry of Dimcho Debelyanov, a Bulgarian symbolist who, after a brief life as a literature student and then clerk (in order to support his family after the death of his father), volunteered for World War I and was killed in a battle with an Irish division. The irony of his life, in which his forced choices were made against his worldview and beliefs points so well to the aesthetics of symbolists, who relished in the impossibility of communication and forged a code of metaphors that distanced them instead of bringing them closer to readers. Debelyanov himself lamented the impossibility of his dreams but then abandoned them willfully with a very symbolic gesture. This way of relating has so much to do with contemporary culture: a world of facebook mirages in which participants create willful representations of their lives that seem more compelling when ambiguous. Continue reading
If you wonder what I’ve been working on lately, here are a few images from a new project I started based on the poetry of one of my favorite authors, Dimcho Debelyanov – a Bulgarian symbolist poet, intellectual and one of the most sensitive soldiers to lose his life in World War I. Unfortunately, very little of his exquisite works has been translated into English, so I can’t fully show you the depth and sensitivity of his verses and let you judge how they inspired the images above.
In a few words, his poetic dilemmas focused on the impossibility of reconciling reality with ideals. Which, for this projects, metaphorically speaks of the impossibility of art to transparently represent ideas. I aim to use Debelyanov’s particular metaphors in images not to evoke your despair as viewers, which many people report as the effect of his poems, but to address this dilemma. Austin actor Greg Holt modeled for it. If you are local to DFW and would like to help me out by modeling, let me know! I promise the experience won’t be depressing as the poetry suggests. Continue reading
By now, you’ve probably seen these two images of the pope announcements of 2005 and 2013.
The images above reminded me of an emotional story Umberto Eco told last summer in his column in Espresso. When he was a young boy, he witnessed a horrible road accident: a peasant woman had been run over by a truck, her head wounded amid a puddle of blood, her husband holding her and wailing in anguish. The little boy was transfixed – it was his first encounter with death, as well as with sorrow and despair, which he counts as a defining moment of his life and perhaps his most vivid memory. Continue reading