If you follow this blog, you know how important FotoFest Biennial has been for me, for its role in the world of contemporary photography. Its international, groundbreaking exhibition give deep thought to topics, angles and geographic areas that are not well know outside of their boundaries; a rich community and meeting place for photography curators, museum professionals and gallerists with photographers and connoisseurs. For me personally FotoFest has been crucial in my work as a photographer with its inspiration to a larger international community. Continue reading “The Museum of Innocence at FotoFest 2020”→
An exhibition that has been in the works for several months is opening on March 1 at the Fort Worth Community Art Center in Fort Worth, TX. The Haunted Archive is an exhibition of post-photography, curated by me and featuring photographs, paintings, collages and installations by eight artists, based throughout the United States.
When American troops disembarked in Sicily (1943), some soldiers stationed in Palermo had their portrait done by local painter Benedetto Zangara. They also brought their military-ration powdered milk and hard biscuits for his baby son. Then the war ended and the baby grew with the stories that he owed his life to those biscuits and those soldiers. He also grew up to be an artist and today is one of the pillars of the international MADI movement. Continue reading “Two Italian Masters”→
The 091 Projects/Rizzuto Gallery in Palermo, showed my work along with artist Stefania Fabrizzi. Titled Possible Convergences (June 31-July 14), the two-person exhibition was curated by Cristina Costanzo, an art scholar, critic and writer.
My work included in this show was from the portfolio Hidden Metrics ID. However, it ultimately made for a different exhibition because of the different format it has evolved in. Continue reading “Possible Convergences”→
As I mentioned in my previous post, during my residency at Sunset Art Studios I worked on a series of cyanotypes that combined physical traces of a home, memory and the physical experience related to them. In these photograms, home could be seen through objects associated with it that physically touched the surface of the fabric or paper and so transferred the sense of presence to the photographic representation.
Last December, I was invited to be the visiting artist at the Center for Creative Connections at the Dallas Museum of Art in the summer of 2018. This great honor involved developing a series of programs, based on my artistic process and concept, to connect visitors of the museum to the works in the collection and a larger idea. Continue reading “Neighborhoods of the Heart”→
My first solo exhibition in Italy will open next week at Savignano sul Rubicone. It will be in conjunction with SI Fest Off, a festival of photography in its 26th edition, and is related to this year’s theme of the festival: Dialectic Strategies.
Hidden ID is a series of pinhole images that juxtapose public identity to interior privacy through using the metaphor of the archive as a substitution for the construction of the self. The images are based on a hybrid pinhole capture with in-camera photogram elements. Continue reading “Hidden ID at Savignano sul Rubicone, Italy”→