Posted in alternative, exhibition, invitation, photography

The Museum of Innocence at FotoFest 2020

If you follow this blog, you know how important FotoFest Biennial has been for me, for its role in the world of contemporary photography. Its international, groundbreaking exhibition give deep thought to topics, angles and geographic areas that are not well know outside of their boundaries; a rich community and meeting place for photography curators, museum professionals and gallerists with photographers and connoisseurs. For me personally FotoFest has been crucial in my work as a photographer with its inspiration to a larger international community. Continue reading “The Museum of Innocence at FotoFest 2020”

Posted in alternative, art, exhibition, invitation, museum, photographers, photography

The Haunted Archive

 

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An exhibition that has been in the works for several months is opening on March 1 at the Fort Worth Community Art Center in Fort Worth, TX. The Haunted Archive is an exhibition of post-photography, curated by me and featuring photographs, paintings, collages and installations by eight artists, based throughout the United States.

It includes works by Rachel Black, Kimberly Chiaris, Angela Johnson, Priya Suresh Kambli, Devon Nowlin, elin o’Hara slavick, JP Terlizzi and Melanie Walker.

This exhibition explores the vernacular family photograph as a visual, emotional and social topos. Continue reading “The Haunted Archive”

Posted in alternative, exhibition, museum, relationships, social issues, studio

Neighborhoods of the Heart

Neighborhoods of the Heart, at Sunset Art Studios

Last December, I was invited to be the visiting artist at the Center for Creative Connections at the Dallas Museum of Art in the summer of 2018. This great honor involved developing a series of programs, based on my artistic process and concept, to connect visitors of the museum to the works in the collection and a larger idea. Continue reading “Neighborhoods of the Heart”

Posted in alternative, antique, inspiration, photography, reflections, technical

Disappeared and back again

Toy camera fans, did you hear the news? The Holga is back.

One of the first posts on this blog, seven years ago, was about a roll of Kodachrome. As Kodak was discontinuing the production of its legendary film, the last lab capable of developing its unique process was ending its work, too. So I caught the chance and shot one roll of Kodachrome myself.

That last roll was actually also my first. While for most everyone else the pull of the film was nostalgia, for me it was something I could only define as second-hand nostalgia. I didn’t have access to Kodachrome while growing up, of course, but experienced its allure as part of the allure of the American dream – yet when I was able to access it, the dream had changed. Continue reading “Disappeared and back again”

Posted in alternative, exhibition, invitation, photography

Tablecloths, a solo exhibition at Langdon Center, Tarleton University

 

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If you are in Texas, you are invited to my solo exhibition Tablecloths at Langdon Center (Tarleton University), in Granbury, TX.

Reception: October 29, 5-8pm
Visit: Oct 31 ottobre – Dec 14, 2016
Langdon Center, 308 E Pearl St. Granbury, TX
Hours: 10am-4pm, Mon-Sat

The exhibition includes a series of large format cyanotype photograms on silk and cotton that simultaneously presents and questions the idea of home, using the centerpiece of the tablecloth as a conceptual device. Using 3-dimensional surfaces in tables, corners, steps and thresholds, the photo-sensitive fabric captures shadows and direct contact and then fixes the ephemeral sensation of feeling at home through the photographic process. Still, thanks to the optical distortions (and the added stains)  home looks like a perceptual illusion.  Continue reading “Tablecloths, a solo exhibition at Langdon Center, Tarleton University”

Posted in alternative, antique, photography, reflections, technical

Humble and archival in photography

beachcyanotype.jpg
Beach cyanotype. Hung home style

Rascuache (or, in its Americanized version, rasquachismo) is a Mexican term for reuse and repurpose of things. It is a strategy for everyday life typical for the poor masses as well as a mark of resourcefulness for people in general everywhere. But in the last decades rascuache is also an artistic term meaning the use of humble materials and unexpected sources of supplies – like plastic for drawing, discarded metal parts for sculpture and others. That may sound like the usual found-object crafts that we often see in gift shops and  at artfests today but actually originate from the revolutionary practices of Chicano movement artists in the 60s. They used it not because it was cool but to make a political point and insert themselves in a process that was seen as the privilege of higher classes. Continue reading “Humble and archival in photography”