An exhibition that has been in the works for several months is opening on March 1 at the Fort Worth Community Art Center in Fort Worth, TX. The Haunted Archive is an exhibition of post-photography, curated by me and featuring photographs, paintings, collages and installations by eight artists, based throughout the United States.
It includes works by Rachel Black, Kimberly Chiaris, Angela Johnson, Priya Suresh Kambli, Devon Nowlin, elin o’Hara slavick, JP Terlizzi and Melanie Walker.
This exhibition explores the vernacular family photograph as a visual, emotional and social topos. Continue reading
The textbook for the Art Appreciation class I taught last year offered a chapter on protest art, an umbrella term encompassing artwork related to contestation – from caricatures of the 18th and 19th century to Pussy Riot performances. I asked students: why do the first examples of protest art – according to the textbook, at least – came into existence only a couple of centuries ago? Was conflict not there before, or perhaps it didn’t employ art? While this depends on the definition we choose for conflict and for art, what is normally conserved and transmitted through time is institutionally sponsored art; if it expresses conflict, that will be with other institutions and it would definitely not be considered protest art today. This led to an interesting discussion on how conflict and art intersect and how protest can be even identified in past cultural phenomena.
When American troops disembarked in Sicily (1943), some soldiers stationed in Palermo had their portrait done by local painter Benedetto Zangara. They also brought their military-ration powdered milk and hard biscuits for his baby son. Then the war ended and the baby grew with the stories that he owed his life to those biscuits and those soldiers. He also grew up to be an artist and today is one of the pillars of the international MADI movement. Continue reading
The 091 Projects/Rizzuto Gallery in Palermo, showed my work along with artist Stefania Fabrizzi. Titled Possible Convergences (June 31-July 14), the two-person exhibition was curated by Cristina Costanzo, an art scholar, critic and writer.
My work included in this show was from the portfolio Hidden Metrics ID. However, it ultimately made for a different exhibition because of the different format it has evolved in. Continue reading