Archive of Abandoned Dreams, Gallery 1855, Davis, CA. February 2015
Well, it was a very eventful three months! Now that the semester is (almost) over and I am back up for air, here is what has been happening the meantime. Continue reading
The Union Gallery at UNT. The building is currently under reconstruction and the gallery will not available until 2016.
Many artists, including photographers, are not aware of the exhibition opportunities in university galleries, yet they are some of the best places to make your work known to a great audience. Not only are university galleries places where you can start a dialogue with the budding artists who are students in these academic institutions, but they are visited by invited curators and others – not to speak of the faculty.
Also, since universities are intellectual communities first and foremost, the dialogue that an art exhibition establishes goes beyond art appreciation and connects with concerns of broader interest; it participates in the intellectual debates on campus. Continue reading
I had the distinct pleasure of teaching a group of awesome students this semester: sensitive, hard working and very much personally invested in photography. They made some great work and also allowed me to post some of their images.
If these images look familiar to you, you are not mistaken: this was their emulation assignment, in which they had to research an iconic photographer, analyze his or her style and produce images inspired by it. So that’s why you may recognize something you’ve seen. Continue reading
Do you have a favored way to learn making new things? Like trial and error? If you overcome the fear of wasting a lot of materials as you learn, that’s one of the best ways. If. Yet, if you decide to use cheap materials, just to obviate that fear, you may not get good results and so be discouraged and abandon the whole project. But still. As I always like to say, I learned photography because of digital formats so I didn’t have to worry about wasted pixels.
Here is something new that I taught myself over a period of three years maybe. Continue reading
Here is something exciting to which I would like to invite you!
Contemporary Art Dealers of Dallas, the umbrella organization of Dallas art galleries, is organizing, for the first time, CADD FUNd: a fun, fast-paced evening of sharing innovative ideas about potential artistic projects. CADD FUNd will make possible a high-impact idea that needs the support of the Dallas-Fort Worth community. I am very excited to announce that I have been selected as one of 6 finalists for this event!
CADD FUNd was inspired by similar events throughout the U.S. such as Feast in Brooklyn, Incubate in Chicago and Spread in Santa Fe. Numerous organizations have taken the basic premise of a Sunday soup supper – collect creative proposals, invite the public to pay, eat, listen, and then vote for a winner – and adapted it to their own local purposes. The winner will receive the funds raised by the attendance tickets to finance his or her project.
I would love to have the honor of your presence at the evening as my fellow artists and I share our work and projects. Regardless of whether I win or not, it is a really great chance for me to speak about a new exciting work in progress to an audience that deeply cares about art. Hope to see you there!
To purchase tickets or for more information, follow this link: http://www.caddallas.net/wp/cadd-fund-2/
Texas Artist Coalition juried exhibition, August 2014
I haven’t written for a few months – things have been very busy around here: a few exhibitions, a long list of readings postponed for the summer, some exciting research in a couple of Italian photography archives.
Here are a few of the things that I have been up to lately.
It was an honor to form part of the Fort Worth Art Collective, a newly established group of artists based in Fort Worth working in different media but unified by an ambitious vision of contemporary art. We already had two exhibitions and were called, as per the Star-Telegram, the pop-up du jour.
Texas Artist Coalition holds a juried show once a year and I was thrilled to be invited, since my first exhibition ever was exactly there 5 years ago. Moreover, what a beautiful surprise the day of the opening reception: juror Judy Tedford Deaton, Chief Curator of the Grace Museum, gave me the Fort Worth Art Dealers Association Award. The participating artwork is right behind me above. Continue reading
If you are waiting to hear how the review went, it hasn’t come yet. It kept getting postponed, which is great for my worrywart soul but also prolongs the anxiety. Anyway, the project that has taken the most of my time is The Archive. As the best form of presentation, I decided to make an actual antique binder, covered with dark green cloth with metal corners and the photographs would be filed inside, stitched with thread.
If you have been following my blog you know that the Archive of Abandoned Dreams is based on the poetry of Dimcho Debelyanov, a Bulgarian symbolist who, after a brief life as a literature student and then clerk (in order to support his family after the death of his father), volunteered for World War I and was killed in a battle with an Irish division. The irony of his life, in which his forced choices were made against his worldview and beliefs points so well to the aesthetics of symbolists, who relished in the impossibility of communication and forged a code of metaphors that distanced them instead of bringing them closer to readers. Debelyanov himself lamented the impossibility of his dreams but then abandoned them willfully with a very symbolic gesture. This way of relating has so much to do with contemporary culture: a world of facebook mirages in which participants create willful representations of their lives that seem more compelling when ambiguous. Continue reading