Do you collect photos of people you don’t know?

Looking at found photos

Vernacular photography – often defined as “authorless”, but in reality, made by the same people who use it, for themselves or family/friends, or, alternatively,  commercial but made directly for consumers (e.g. the Sears portrait service) – has been gaining a lot of attention in the past few years or decades. If you are a photographer yourself, you know the writings of Geoffrey Batchen, who was the engine of the research of that type of photography with his books, especially Each Wild Idea. Continue reading

Disappeared and back again

Toy camera fans, did you hear the news? The Holga is back.

One of the first posts on this blog, seven years ago, was about a roll of Kodachrome. As Kodak was discontinuing the production of its legendary film, the last lab capable of developing its unique process was ending its work, too. So I caught the chance and shot one roll of Kodachrome myself.

That last roll was actually also my first. While for most everyone else the pull of the film was nostalgia, for me it was something I could only define as second-hand nostalgia. I didn’t have access to Kodachrome while growing up, of course, but experienced its allure as part of the allure of the American dream – yet when I was able to access it, the dream had changed. Continue reading

Fashion photography in a new light (Bruce Weber at the Dallas Contemporary)

 

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Lonneke Engel for Versus, 1996, gracefully shot by Bruce Weber

Bruce Weber, a noted fashion photographer with a long and distinguished career, is having a retrospective exhibition at the Dallas Contemporary. It is fascinating for many reasons, but first of all because an exhibition venue known mainly for installations and projections has dedicated almost its entire gigantic space to a solo show of this kind of “traditional” photography. But also – and especially – because it offers an unusual view of fashion photography as it is.
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Liquid Shadows, a solo exhibition at Langdon Center, Tarleton State University

cyanotypeimage5If you are in Texas, you are invited to my solo exhibition Liquid Shadows at Langdon Center (Tarleton State University), in Granbury, TX.

Reception: October 29, 5-8pm
Visit: Oct 31 ottobre – Dec 14, 2016
Langdon Center, 308 E Pearl St. Granbury, TX
Hours: 10am-4pm, Mon-Sat

The exhibition includes a series of large format cyanotype photograms on silk and cotton that simultaneously presents and questions the idea of home. Using 3-dimensional surfaces in corners, steps and thresholds, the photo-sensitive fabric captures shadows and direct contact and then fixes the ephemeral sensation of feeling at home through the photographic process. Still, thanks to the optical distortions (and the added stains)  home looks like a perceptual illusion.  Continue reading

The Frida Kahlo Tide

Can you guess who this is meant to suggest, just by looking at the picture?

Photo by Ahn Jooyoun for Sera Park

Photo by Ahn Jooyoun for Sera Park

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The Floating Piers by Christo as a quasi religious experience

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It was a privilege to walk  Christo’s Floating Piers on the first day of the project. They are the ultimate sensorial experience: all about touch, vision, and whole body mobilization: it felt so light yet the day after everything feels sore. Continue reading

Italy in photographs

Now that the semester is over, I  have to say it was really fun to teach both photography and Italian this year. Although formally the classes didn’t have anything in common, it was striking how much they were connected intellectually and as an experience.

For their final project, my students of Italian received the option to discuss a few classic photographs of Italy. As I was working on the assignment to decide what to include in it, so that they would learn both about Italian culture and art, I realized what a huge part of Italian photography is actually photos of Italy, in Italy, by non-Italians.

See this, for example:

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Ruth Orkin. An American Girl in Italy, 1951

 

 

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