That photoless Vogue issue

One of seven Vogue Italia cover options, a painting by Vanessa Beecroft, January 2020. Vanessa Beecroft uses painting as well as performance as her chosen medium to change our perception of the body in public spaces. This is her first artistico format into fashion, in her words.

When the news of the latest Vogue Italia issue came out, everybody shared it on social media or, at the minimum, read about it. It made that momentous splash due to the promise that no photography was employed in its making – and that was an added feature to make its production environmentally sustainable.

It is frankly the first time anyone has made the case of photography being an environmentally unfriendly medium. After all, it doesn’t employ harmful chemicals anymore, nor does it necessarily waste paper. If it does, that applies to art photography, not the commercial means of diffusion of information and persuasion. However, as director Emanuele Farneti explains in his editorial statement, a Vogue photoshoot implies hundreds of people traveling thousands of miles to make it happen. Painting, drawing and other tabletop artmaking only requires staying put. Continue reading

The Haunted Archive

 

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An exhibition that has been in the works for several months is opening on March 1 at the Fort Worth Community Art Center in Fort Worth, TX. The Haunted Archive is an exhibition of post-photography, curated by me and featuring photographs, paintings, collages and installations by eight artists, based throughout the United States.

It includes works by Rachel Black, Kimberly Chiaris, Angela Johnson, Priya Suresh Kambli, Devon Nowlin, elin o’Hara slavick, JP Terlizzi and Melanie Walker.

This exhibition explores the vernacular family photograph as a visual, emotional and social topos. Continue reading

Art and Activism (book review)

The textbook for the Art Appreciation class I taught last year offered a chapter on protest art, an umbrella term encompassing artwork related to contestation – from caricatures of the 18th and 19th century to Pussy Riot performances. I asked students: why do the first examples of protest art – according to the textbook, at least – came into existence only a couple of centuries ago? Was conflict not there before, or perhaps it didn’t employ art? While this depends on the definition we choose for conflict and for art, what is normally conserved and transmitted through time is institutionally sponsored art; if it expresses conflict, that will be with other institutions and it would definitely not be considered protest art today. This led to an interesting discussion on how conflict and art intersect and how protest can be even identified in past cultural phenomena.
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Two Italian Masters

 

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When American troops disembarked in Sicily (1943), some soldiers stationed in Palermo had their portrait done by local painter Benedetto Zangara. They also brought their military-ration powdered milk and hard biscuits for his baby son. Then the war ended and the baby grew with the stories that he owed his life to those biscuits and those soldiers. He also grew up to be an artist and today is one of the pillars of the international MADI movement. Continue reading

Possible Convergences

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The 091 Projects/Rizzuto Gallery in Palermo, showed my work along with artist Stefania Fabrizzi. Titled Possible Convergences (June 31-July 14), the two-person exhibition was curated by Cristina Costanzo, an art scholar, critic and writer.

My work included in this show was from the portfolio Hidden Metrics ID. However, it ultimately made for a different exhibition because of the different format it has evolved in. Continue reading

The Museum of Home Touch

The Museum of Home Touch, a participatory installation at Sunset Art Studios. May 12, 2018

As I mentioned in my previous post, during my residency at Sunset Art Studios I worked on a series of cyanotypes that combined physical traces of a home, memory and the physical experience related to them. In these photograms, home could be seen through objects associated with it that physically touched the surface of the fabric or paper and so transferred the sense of presence to the photographic representation.

But along with that ongoing project, I worked on another one that had been on my idea list for some time.  Continue reading

Neighborhoods of the Heart

Neighborhoods of the Heart, at Sunset Art Studios

Last December, I was invited to be the visiting artist at the Center for Creative Connections at the Dallas Museum of Art in the summer of 2018. This great honor involved developing a series of programs, based on my artistic process and concept, to connect visitors of the museum to the works in the collection and a larger idea. Continue reading